The chief subject of this scene is that wickedness can non be forgotten, but it must be forgiven through repentance and repentance. He adds to the misery of the minister every day. The theme of Passion or Love 1. Plot Details: — Dimmesdale goes to the scaffold, and Chillingworth tries to stop him. The scaffold represents a place of shame and pity but also of final triumphs.
He has learned to live in his truth. On the other hand, it makes the two lovers strong — morally and spiritually. This belief fits into the larger Puritan doctrine, which puts heavy emphasis on the idea of original sin—the notion that all people are born sinners because of the initial transgressions of Adam and Eve in the Garden of Eden. Hawthorne, in The Scarlet Letter, uses many symbols to represent different things. The sin saps his moral, spiritual and physical energies.
And you can't live like that—you can't. The first appearance of the scaffold marks a change in Hester's life. The first scaffold scene, which occurs in Chapters 1-3, focuses on Hester and the scarlet letter. It is sad and somber tale, tells about the struggle of morally and emotionally starved individuals, literal personifications of abstractions like knowledge and virtue, seeking for fullness of being. This is beneficial to the novel because it allows Hawthorne to verbally illustrate dramatic scenes that pertain to each character individually. Previously, we have seen Dimmesdale's conscious mind attempting to reason through the problem of his concealed guilt. It is a symbol of his own guilt.
She dances on graves, shuns all law, even attacks Dimmesdale now, all in a raging storm. He places his book and mug of tea on the table, looks around the room suspiciously, sniffs the air, and then fixes you in his gaze. The scaffold plays a vital role in The Scarlet Letter. This moment suggests a sort of wedding ceremony, as if the heavens themselves recognize the couple's union and don't find it sinful, as Puritan law does. Here, anything that covers like a cope, a canopy over, or the sky. Seeing that Hester has recognized him, he slowly and calmly raises his finger and puts it on his lip, asking her not to reveal his identity in the crowd.
Each scene illustrates the importance of the scaffold behind them with many potent similarities and differences. Also, the scaffold scenes unite the book because Hawthorne can place all four main characters into the same situation, yet have them each play a different role, thus each character is affected in a diverse, but related way. His ability as a speaker is enhanced by the fact that he feels far more sinful than many in his audience. Pearl is significantly older in the second scaffold scene than she was in the first. Earlier, Chillingworth told Hester that he would be able to know her partner by reading his heart. In the first scaffold scene, Hester Prynne stands at the scaffold holding her infant daughter pearl… Imagery and Irony in The Scarlet Letter Nathaniel Hawthorne, the author of The Scarlet Letter, uses a variety of literary techniques in order to produce energy and invoke the interest of the reader. He seems an old, disappointed man, finding that the one he had waited three years to join had, during that time, left him for another.
The final scaffold scene is the denouement of the story. On the platform his role is reversed. Hawthorne, however, indicates that Chillingworth is surprised by what he discovers, implying that Chillingworth never fully suspected Dimmesdale of being Pearl's father. Although all these locations are significant to the story, the most important symbol among them is certainly the scaffold in the market place, where the story begins and ends. When Chillingworth is finally discerned by Pearl, he acts as if he has simply come to bring Dimmesdale back to their house, contributing to his cunning and deceitful demeanor. It is evident from this quote that she has not yet come to grips with her actions.
This fasting causes him to have hallucinations in which he sees his parents, friends, and even Pearl and Hester. Dimmesdale's poor health and Chillingworth's interest in the young man combine to make many of the church officials try to get them to live together. She stood alone, head high and shoulders back. The light of the meteor also reveals Roger Chillingworth standing near the scaffold. This scene represents Penance and Punishment. She presses his head against her bosom until he grants pardon to her. In this scene, we have Hester's public repentance, Dimmesdale's reluctance to admit his own guilt, and the beginning of Chillingworth's fiendish plot to find and punish the father.
He is torn between his need to accept and pronounce his sin and Pearl as his daughter and his love of freedom. When the final scaffold scene ends, all of the four characters have either lost or gained a significant piece to human life; Dimmesdale had finally regained his soul, Hester watched her dream and desire vanish before her, Pearl finally discovered her humanity, and Chillingworth had lost his victim. The end of the chapter brings to light some of what previous foreshadowing promised. In the beginning of the book, she is illustrated as a beautiful young woman, but through the years her beauty has essentially vanished along with all of her qualities of femininity. After his Election Day sermon, Arthur Dimmesdale is seen mounting the platform and asks Hester and Pearl to join him. Next the traits of the scaffold itself deteriorate throughout the novel.
She still has her love for Dimmesdale. The image of Hester atop the scaffolding is a metaphor for her forced solitude; for her banishment from society; and for the futility of her punishment. Most importantly, Dimmesdale chooses to expose his sin at night when no one can see. Hester Prynne absolutely refuses to name the father of her child and declares. In the novel The Scarlet Letter by Nathaniel Hawthorne a young lady by the name of Hester becomes the focus of the town after committing adultery. Rather than seeing their own potential sinfulness in Hester, the townspeople see her as someone whose transgressions outweigh and obliterate their own errors.